INDISTR 10! Interview with Derek "Dminor" Young!

Derek "Dminor" Young resides in sunny California and has a portfolio of beat-making which includes work for clients such as:
Othello, Supastition, Styles of Beyond, Lovespirals, Muneshine, Emilio "Raks One" Rojas, MF Grimm, Louis Logic, and many more. Dminor also runs www.waxreform.com out of Los Angeles, CA. Be on the lookout for some great production from him in 2008.





1.Let’s start from the beginning, when and where did it all start? And with who?
I started my professional recording career at 7 years of age. I used to do local talent shows and an agent saw me perform and immediately got me a gig with companies like Disney, Warner Bros., and others.

2.If you had to describe your sound in one sentence, what would you say?
I love Hip-Hop and Soul music. This is the byproduct of that.

3.Name 3 artists that have inspired you as a musician.
Stevie Wonder, J Dilla, Marvin Gaye

4.What do you see in the future for music, with all of the outlets available for exposure, along with the current Internet craze?
Music will be free. People have become so accustomed to downloading music illegally that there will have to be a complete change of business or change in the way people listen to music before consumers will start paying for it again. In the meantime, artists trying to catch a break should focus on songwriting. It’s easier to get a royalty check if you wrote that hit song.

5.What can we expect to see from DMinor in 2008? Any big plans?
Hopefully the completion of my full length, Supreme Goodie. Additionally, my production team, Wax Reform, will be releasing a digital EP. Production from Illmind, M-Phazes and Presto, vocals from myself, Muneshine, and Emilio Rojas.

6.What has DMinor been listening to lately?
I’ve been spending far too much time picking apart J Dilla’s “Donuts”. He was obviously a huge source of inspiration for me as a producer and I really study how he’s made records over the years. Now that he’s gone, I feel a bit like a student without a teacher.

7.Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
Independent music is where it’s at! I think there will always be people who want to experience the unwrapping of a CD, the reading of liner notes, and the sharing of music with their peers. Especially if they found a new artist that none of their friends have ever heard of.

The real question is how do you personally measure success? Are you successful if you sell 1000 CDs? 100 CDs? 10 CDs?

It’s a question that each of us need to ask ourselves. I think artists can make decent money, and live off their music. But it only lasts for so long.

The biggest problem that indie artists have is that they are unable to promote themselves outside of their area. So while you may be big in Los Angeles, no one knows your name in Nevada or Arizona.

8.If we can’t find you playing a gig or practicing music, where might we expect to find you?
I’ve featured on other peoples songs more than anything else this past year. So you can find me doing that while you wait for my new joint. A few notables, “Silhouette” by Othello, “Imagine That” by Muneshine (prod. by Pete Rock).

9.How many shows do you play a year? What’s the atmosphere typically like?
Zero. I hate doing shows, with a passion. My perfectionist complex really kicks in when I perform live. There’s too many variables, too many things that could go wrong, so I try to not do gigs anywhere.

The last show I did was in London at the Tin Room…it was a tough crowd. I just got the impression that they weren’t feeling me, but then realized that UK audiences hold their applause until the end of your set. Ha!

10.Lastly, your thoughts on INDISTR.COM?
I think it’s a great spot for people to get some recognition for their craft. I’m glad you guys dig what I do. It’s important for artists to feel appreciated, and you’ve done that.

Please be sure to come see us at SXSW

We will be providing beer and snacks for anybody who is interested. Oh yeah, and we'll be playing music from INDISTR artists at our booth, so please be sure to hit us up if there is something you'd like for us to play while we're out there!!

Aretha goes Independent!!!

After nearly 5 decades, Aretha Franklin is throwing in the towel, and going independent. She claims she wanted to sign with Arista again, however her and Clive Davis, "could not meet". Possible marketing and distribution partners in the future include Time Life and the AARP. Sony loses another legend.

Aretha! Do you hear us? We're calling for you!!!

Read more.

Why the RIAA is awesome!!! Sike!!

Don't know if you've heard, but the RIAA doesn't think that the labels are making enough money off of digital sales, so they are lowering the payout to the artists from 13% to 9%, and Apple is trying to lower the payout to 4%. WOW!!

Continuing Independent artists on the rise for 2008? I'd bet my money on it.

Catch the article here.

INDISTR 10! Sweet Japonic!!!

For those of you who have not heard of Sweet Japonic, you've apparently been missing out. These guys have been playing music since 2000. This is a great band that hails from Grand Rapids, MI, and have been selling out venues on the regular for quite some time. With part of the band now residing in Chicago, they are planning to progress outside of Michigan and get there exposure built by a possible tour in 2008. Enjoy:




1.Let’s start from the beginning, when and where did it all start? And with who?
Luke and Ryan are the only original members back when Sweet Japonic was a folk-rock group with violin, djembe, lap steel (est. 2000). The sound was mellow and sweet. After a few life changes members left, but the band keep its name and evolved with it.

2.If you had to describe your sound in one sentence, what would you say?
Sweet Japonic's sunny, nimble musicianship compliments soulful, arresting vocals and lyrics that are often wistful and pensive, creating a sound that is at once familiar and yet new.

3.Name 3 artists that have inspired you as musicians.
Ray Lamontagne, Counting Crows, The Isley Brothers

4.What do you see in the future for music, with all of the outlets available for exposure, along with the current Internet craze?
It's an exciting time for music, as it has only recently become possible to produce and release quality recordings from affordable home studios. Consequently, a vast amount of music will be available, and a lot of it will be free. The future for music, as i see it, will have to do with people finding a way to make a living in this new paradigm. The record companies will eventually stop trying to fight it, and will find new ways to profit from the sale of music as well.

5.What can we expect to see from Sweet Japonic in 2008? Any big plans?
We are recording a new album, and are continuing a busy schedule of live performances. We also plan to bring our live act to new venues in 2008, playing more in Chicago as well as Indiana, Ohio, and perhaps putting a short tour together.

6.What has Sweet Japonic been listening to lately?
We each have very different tastes in music, but at the same time i think we're all pretty open minded to any music that we come across. Just this week I went on (another) leonard cohen kick, and before that it was the Afghan Whigs. Luke was into some old thomas a. dorsey gospel tunes recently and roy was probably listening to live grateful dead or some such dirty hippie music.

7.Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
I think it's certainly possible to be successful, but it requires as much hard work, talent, and luck as any other means of distribution. Independent music is great because it is so democratic. There is a sense of possibility without limitation, and a general sense of camaraderie and community among independent musicians (at least in our experience). If you are financing and producing recordings yourself you can put out any kind of record you want, for better or worse. No one is there to tell you no, but in the end if you want to sell your music you have to put out something people will want to buy. And then find the people who want to buy it.

8.If we can’t find you playing a gig or practicing music, where might we expect to find you?
Some of us have non-music related jobs or projects. If we're together as a band and not playing music, we're likely in our beloved van on the way to or from a gig.

9.How many shows do you play a year? What’s the atmosphere typically like?
100 or so. Depends on the market whether people care about original art or just want to hear cover material. We try very hard to find great places to gig at were our music can be appreciated.

10.Lastly, your thoughts on INDISTR.COM?
I like the fact that we get paid directly after each sale and the %’s are fair. That in itself is worthy of using their system as an easy way to sell digital downloads via any site. I would like to see a culture created and their promotional efforts meet us half way. This interview is a great example of this company’s interest in the independent artist and willingness to support the new paradigm.

San Diego Love! NO NEEDZ on INDISTR 10!

At age 22, NoNeedz was homeless, and ironically searching for more out of life. With nowhere else to go, he ventured deep into the creative subconscious, returning to a tangible society with only a new outlook on life, Jesus Christ, and the world, brandishing a single tool--a sound that blurred genre lines and would resonate through fans of all ages, backgrounds and ethnicities. Since his transformation, the most common line he has encountered has been, "I don't usually listen to rap/reggae/pop. But I love your style! How can I get a CD?"

Today, NoNeedz remains a solid Pop/Hip Hop/Reggae artist from San Diego, California. Because of his eclectic style he's managed to rope in fans from all genres, which makes him a fantastic dream for managers and labels alike, to sign and promote, to listen and to love. Enjoy the interview!




1.Let’s start from the beginning, when and where did it all start? And with whom?
Actually, I was a screw up in High School and got kicked out of a class (can't remember which). Recording arts was open and I thought it would teach me about a new Camcorder I got. I was a sucker. The course was a musik class! The final involved writing a song. So I wrote some lyrics (much borrowed from the Fugees HAHA) and that's how I got roped into this giant mess.

2.If you had to describe your sound in one sentence, what would you say?
My sound is simply underground reggae and pop, with hip hop vocals layered over these two genres and just a mule’s hair above what most people consider listenable. Some say I sound like Gym Class Heroes, but, it’s only fair to add, some people say I sound like absolute crap.

3.Name 3 artists that have inspired you as a band (solo artist).
Fugees, Mos def, Aesop Rock

4.What do you see in the future for music, with all of the outlets available for exposure, along with the current Internet craze?
Music will continue to evolve but voices which never would’ve been heard will continually grow stronger and more competitive in the music market.

5.What can we expect to see from NoNeedz in 2008? Any big plans?
Frankly, I’m in the group (Close Enough) www.myspace.com/closeenoughmuzic, so expect to hear more of my vocals on pop/reggae/rock songs in our soon-to-release EP⎯2008. Other than that, no big plans. That involve musik. I do plan to write the great American novel, but of course I’ve said too much…

6.What has NoNeedz been listening to lately?
American Idol of course. But, beyond that 8pm delight, I listen to older Switchfoot, Incubus, Marley, Green Day, Sublime, Born Jamericans, etc. Still, in most cases I just employ Youtube to listen to particular songs that I suddenly have an obsessive penchant for during the day…like Billy Preston (nothing from nothing) and blur (song 2) and Sister Hazel (happy) and yada yada yada.

7.Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
Well, in my humble opinion, if an underground band wants to sell 50,000 records they’re going to have to book major gigs. The name gets out and that’s when ticket buyers research the band they just heard and buy the album.

8.If we can’t find you playing a gig or practicing music, where might we expect to find you?
I go to Mira Costa College in San Diego so that’s where I’ll be. Or on my butt casting preliminary judgments based on outfits contestants are wearing at auditions on American Idol. Guy shows up in Chicken suit⎯probably not going to win…

9.How many shows do you play a year? What’s the atmosphere typically like?
I just got into performing live when I joined Close Enough last year. I’ve only performed 5 or 6 times since then. With the band, usually it’s a bar atmosphere 50-200 people depending on the place, lots of drunkards and brawls. Ironically, as a Christian, one would never find me in such a place typically.

10.Lastly, your thoughts on INDISTR.COM?
I think it’s a highly organized and graphically well-done site for music. I’m glad you contacted me and will certainly keep an eye out on how well the site develops and if it's made increasing profitable over the next few years. Yes sir!

INDISTR 10! Interview with Dirty Water!!!

We were first contacted by Dirty Water a month ago or so, and ever since we've been fans. These guys are hard working and will definitely be having a full plate in 2008. Though meeting in college at North Carolina Central University, they happen to reside in Washington DC and are making serious moves and gaining day by day in exposure. Check it. Oh yeah, and after you check it, go support them directly by buying some of their music!!!!





1.Let’s start from the beginning, when and where did it all start? And with who?
CCB: It all started back in college (North Carolina Central University). I used to date his wife’s roommate and she used to always tell me I needed to meet him since we were both into hip hop. I didn’t meet Joe until my junior year though. We both ended up in this go-go band as front-line vocalists. I didn’t know anybody in the band but the drummer, Winslow, and the manager, Jeff. The first meeting was at Joe’s apartment in Duke Villa. We immediately clicked. He started playing his beats for me. They were all dope. Way doper than I thought they’d be. We traded a few rhymes back and forth. I was shocked. Dude had dope beats and dope rhymes. I think we might have done our first track together that day, I’m not sure. Back then he would play the beat and we would record all the vocals live, in one take! We didn’t even have a four track. We had like an album’s worth of songs on cassette tapes after a year or so. The rest is literally history.

2.If you had to describe your sound in one sentence, what would you say?
We create songs, not just beats and rhymes, that consist of elements from pure basement Hip Hop to lighthearted fun with a willingness to stretch out and do things differently.

3.Name 3 artists that have inspired you as a group.
CCB: Michael Jackson, Prince and Run DMC

4.What do you see in the future for music, with all of the outlets available for exposure, along with the current Internet craze?
CCB: And as far as the Internet, I don’t know. It just seems like a big riot to me. It’s hard to get noticed in a riot. I miss the good old days. I actually like going to the record store.

5.What can we expect to see from Dirty Water in 2008? Any big plans?
CCB: Another album, definitely. Also, Joe’s been working like a dog on his first solo project Preacherman. I was just over his house a few days ago. He played me some stuff. All I can say is watch out. Hip hop hasn’t seen anything like this in a while. I put my man up there with all the greats: Primo, Pete, RZA, Dre, Kanye, Pharrell. My man holds his own. He’s a genius. I also have another solo joint coming out this year, The Fear in the Dog, which Joe produced. So this year is actually going to be pretty big.

6.What has Dirty Water been listening to lately?
CCB: I just bought Prince’s Rainbow Children and the Beastie Boys Check Your Head. Those were both albums I slept on, so I had to go back and get them. I just took Lupe’s new joint out. It had been in the deck for like three weeks strong. He’s amazing. It’s been a while since I heard an emcee that made me want to sharpen my sword. Also, the new Wu rocks pretty hard. I don’t know what the hell Rae is talking about. And this morning I drove to work rocking that old Vaudeville Villain joint. Classic! Where is Doom anyway?

7.Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
CCB: I think that artists are going to have to go back to making music because they love to make music and they want the world to hear it. Everybody’s panicking because rap record sales have plummeted over the past couple of years. I personally think it’s a good thing. All that money was messing the game up. Now everybody wants to be a rapper, like how everybody used to want to play for the NBA or the NFL. But just like everybody ain’t cut out for pro sports, everybody ain’t cut out for emceeing. Only with the commercialization of hip hop, they made it so you could take any bum off the streets and put a dope behind him and everybody makes a million dollars. Now that the money’s gone, we can bring the love and the passion back. It’s a blessing in disguise. Prepare to hear some truly inspired hip hop on the independent scene over the next few years.

8.If we can’t find you playing a gig or practicing music, where might we expect to find you?
CCB: Probably with my daughter at the book store or the park or something. If not that, at the bar, knocking back good scotch and flirting with women.

9.How many shows do you play a year? What’s the atmosphere typically like?
CCB: Not as many as we’d like to. DC is a go-go town. It’s hard to get people to buy into our brand of hip hop. But when we do rock shows it’s always a peaceful, uplifting vibe.

10. Lastly, your thoughts on INDISTR.COM?
CCB: More power to you. It’s always good to see people still taking an interest in truly independent artists. I wish you much success in the future. Don’t forget about us when you get big.