Wednesday, December 19, 2007

The "new independent voice" Thom Yorke speaks on the value of music!



This is really great stuff. David Byrne sits down with Thom Yorke, for Wired Magazine, to discuss everything we've been waiting to hear about from Thom himself: how they place value on music, what their record contracts really looked like, where Radiohead made its money, his thoughts on touring and its eco-impact, and of course...of course...his thoughts on their recent and oh-so-publicized "pay what you want for it" release.

A really, really, fascinating read. Check it out here.

INDISTR 10! Interview with Josh Wentz!

I've got to give it up (and I should of done this way earlier) to Joshua Wentz, who happens to be one of the first INDISTR artists to use the site. Joshua has always been very active in the INDISTR.com community, which we greatly appreciate. From Chicago , IL. I introduce to you Joshua Wentz. (Don't hesitate, read the interview, Josh has some very good insight)



1.Let’s start from the beginning, when and where did it all start? And with who?
At age 5 I was forced by my parents to take piano lessons, so it must have started there! I didn't truly enjoy playing until around 14, when I found practical and social applications for having any sort of musical talent—I played in pit orchestras and for choir and jazz until college. In 1996, with the help of a technologically savvy classmate, I started recording in my dorm room at the University of Cincinnati. I actually crammed a full-size KORG elctric piano with weighted keys into a four-person room! My first original piece was a musical adaptation of one of my favorite sci-fi trilogies, C.S. Friedman's Coldfire novels. I've been a solo recording artist since then, collaborating now and then with one or two (or twelve) artists on larger projects, and continuing on my own to pick up and learn as many instruments as my wallet will allow.

2.If you had to describe your sound in one sentence, what would you say?
Hmm... that's a tough one, because I try to fight genre pigeon-holes as much as possible—too many preconceptions there. So, how about, "I create mostly-instrumental music that skirts the bounds of standard classification, finding a place nestled snugly within clean melodies, richly layered instrumentation, and modern rhythms." Is that silly?

3.Name 3 artists that have inspired you as a musician.
Mike Oldfield, definitely... he's truly my number one inspiration. For those who don't know, Oldfield wrote and recorded Tubular Bells practically on his own at age nineteen. I've definitely been inspired by artists like London Elektricity, who takes a rigid genre like drum and bass and completely shakes it up, or The Postal Service, a "group" that embodies a type of collaboration that I find incredibly worthwhile.

4.What do you see in the future for music, with all of the outlets available for exposure, along with the current Internet craze? This is one I really don't think can be answered, but I'm starting to think that the future of music will just follow the same path it always has. Since music has existed, there have been people who want tradition, people who want innovation, and people who are apathetic to either. Some classical composers were reviled for their break from convention. Radio became a voice for new and often outrageous new music, but current Top 40 radio has commercialized the mundane. In all eras, you can find both "popular" and "underground" music, and you as a listener are fortunately allowed to choose what you like. Now more than ever the spectrum of choices has widened for casual listeners, but you will still find plenty of people who want regurgitated music and people who want something different. As long as musicians are out there creating something and getting it to the public, there will be someone who wants to listen.

5.What can we expect to see from Joshua Wentz in 2008? Any big plans?
A lot of HUGE plans, actually, not all of which I can discuss just yet. I will be spending a good deal of time focused on a few new albums, both solo and collaborative. I want to become more involved with The Very Us Artists project (www.veryusartists.com) because I feel like it's hitting on a great concept with a lot of potential. I'd like to do some performance (something I haven't done since moving to Chicago), and some more soundtrack work, which is easily my favorite thing in the world to do.

6.What has Joshua Wentz been listening to lately?
I find myself listening to a ton of music in fall/winter: Underworld, Kenna, Jose Gonzalez, Bent, Little Dragon, Loney Dear, Olive, Shinichi Osawa, Tracey Thorn, Silver Apples, etc. Also, I've had a few INDISTR artists in heavy iPod rotation lately: Jeremy Simmons, Dolophane, Verde Velma, and CYE, just to name a few.

7.Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
I think it's definitely possible to be a successful musician and be independent, however, I don't think people should feel that being independent means doing it alone. Musicians rightfully need to concentrate on their music, and sometimes this means that they let the business, marketing, and design work slide. A guitar player shouldn't have to know how to build a website, screen print posters, or setup QuickBooks. Nor does he/she have the time to do all of these things. While maintaining the rights to your art, in my opinion, should be a primary goal for everyone, it is important to find people to work with that have the same goal in mind.

8.If we can’t find you playing a gig or practicing music, where might we expect to find you?
The Web is my true home: Sidedown.com! I record a weekly podcast called "Winchester Sessions" in my home studio on the north side of Chicago. Each weekend I try to do a completely improvised set that lasts as long as it takes for me to come out with a 20-30 minute piece of music. Sometimes that ends up being three hours with all of the layering. It's a lot of fun, and keeps me mentally and physically active in music. (the URL for the Winchester Session podcast is: http://sidedown.org/serials.php?serial_id=17 and it is also available on iTunes) I always have some random free music up on www.sidedown.com/sessions as well.

9.How many shows do you play a year? What’s the atmosphere typically like?
As I said, I haven't performed live in years, but I want to change that in 2008. If you see me on a bill, expect the atmosphere to be filled with nervous excitement coming from the stage, confusion ( and hopefully not indifference) coming from the (hopefully existent) crowd!

10.Lastly, your thoughts on INDISTR.COM?
I love INDISTR! Seriously. Long ago I posted my music on MP3.com, which used to be a site for independent artists to host their music for free. I thought that was pretty great, but it was cumbersome and it still didn't get me paid. INDISTR provides a great solution to the idea of hosting your music on a collective site, because it is easy to control, looks nice, and was built specifically because INDISTR has passion for music. I'm glad I got in on the ground floor and look forward to seeing it continue to grow. And I sure do love seeing that instant-payment email hit my inbox, ha!

Wednesday, December 12, 2007

INDISTR 10! Interview with Happy Hour!!

Happy Hour is one of the more inspiring bands that hails from Grand Rapids, MI. They tour nationally, 100% independent, all on their own hard earned dollar. That's a rare instance in the Grand Rapids independent music scene. I am friends with Happy Hour and they are some of the funniest guys I know. These guys will continue to grow and grow, as they continue to tour, play shows across Michigan, as well as shows on a national level. Look out for them coming to a town near you. You heard it from INDISTR first!!


1.Let’s start from the beginning, when and where did it all start? And with who?
Early 2002 Brent Shirey and Scott Rider formed the band Happy Hour. In the winter of 2002 Scott Schultz jointed. Our first practices were in Shirey’s parent’s basement in Sparta.

2.If you had to describe your sound in one sentence, what would you say?
Happy Hour sounds like Indie folk rock with a twist of 60’s influence.

3.Name 3 artists that have inspired you as a musician.
Pavement/Smashing Pumpkins/The Kninks

4.What do you see in the future for music, with all of the outlets available for exposure, along with the current Internet craze?
Music is very unstable right now. With the whole American Idol thing still in full power and top 40 still very bland it will be interesting to see what happens. I remember when the radio used to find new music and promote bands. Now you either listen to “classic rock” or top 40 pop. The internet has made an outlet where bands can get their music to a large audience.




5.What can we expect to see from Happy Hour in 2008? Any big plans?
Happy Hour will be working on their 3rd album in the next year and planning yet another tour. We will also be searching out labels that can help us with booking and promotion.

6.What have you been listening to lately?
I have been listening to a lot of the new Feist album. I have also been listening to The Doors, The Sliver Jews, The New Pornographers, and The Kninks. (Scott Rider)

7.Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
I think that the industry is changing and it is very possible to do things independently these days. You can record a good album, package it, and sell it online all independently. To be successful you have to have the right sound, the right attitude. In our case we are growing slow. We have seen huge changes in the past few years with online importance. People are starting to search for new material again.

8.If we can’t find you playing a gig or practicing music, where might we expect to find you?
Currently you would find me catching up on some sleep. We just got home from tour and I have been so beat. If I'm not sleeping I might be down walking around Grand Rapids just enjoying the fall. I have also been spending time getting a few last holes of golf in.

9.How many shows do you play a year? What’s the atmosphere typically like?
I am sure I could go back and track home many exactly but it might take more time than it is really worth. We play out about every weekend and tour a few times a year. We just hit show 110 out of state on this past tour so that was a number that I was really proud of. As three twenty something year olds I think we have been working very hard to get our sound out to the country and we have really been working for that “break”. We don’t know where it will come from or if it will ever come. We are just out playing any being ourselves. If you make it to a Happy Hour show you will see it is very easy going. We are a band that will give you an honest performance every show. You can either come up front and shake your butt or stand in back and take in the whole experience. Either way we have a little of everything for everyone.

10.Lastly, your thoughts on INDISTR.COM?
I am very excited to see INDISTR.COM grow. When I sat and talked with Kevin he got me very excited. It is always great to see a new idea come and grow and become something new. I hope that it will become a dominant outlet for artists and consumers of music. We are very excited to be working with INDISTR.

Wednesday, December 5, 2007

The "Green" argument for digital distribution.

So, it's been a "bright" morning in sunny, yet snowy Grand Rapids, MI. Ben and I have had some very interesting conversation about INDISTR and how we are impacting not only the environment, but as well as the industry. With environmental impact being more and more important as time has evolved, and people are becoming more educated to global warming, pollution, extinction, etc., I figured now would be a great time to bring this topic up involving INDISTR. We are essentially a "Green Company".

After doing little research, 100,000 pounds of CDs a month become outdated, useless, or unwanted. This is a HUGE number. That means that there is 1.2 million pounds of CDs a YEAR being put into landfills and incinerators. Beyond the number of physical CDs being destroyed, the materials they are made of, including polycarbonate plastic, petroleum-based laquer and paints, aluminum, and other metals, all release chemicals that contribute to the environmental and health problems as well as global warming, both when the CDs are produced and when they are destroyed.

It's amazing to think that music has nearly gone "Green". I can't wait to see what the future holds for the industry, something tells me INDISTR has been headed in the right direction.

Tuesday, December 4, 2007

So what about the record shops?

Pretty much any music fan above the age of 18-20 can name an independent record/music shop they used to frequent while growing up. Whatever their taste of music may have been, hip-hop, ska, punk, rock, indie, reggae, etc...we all had that local 'cool guy' spot to get anything from the latest to the rarest. More than a place to buy music, it often became a hub for all music related culture, happenings, a hangout, and for some even a venue for new acts. For me, the place that embodied all of this was a place called Record Swap / Off-The-Alley in Homewood, IL. It goes almost without saying that these places are not as plentiful as they used to be.

While they may be on the decline, these places still matter, and as the article I've linked below highlights, they can still exist in a world where music is consumed almost entirely in a digital format. The article talks quite a bit about the continued, if not renewed, interest in vinyl. I think that's great...I really do. But more than the music that is bought at a record store, its the culture and meeting place that is created by having a physical space for like and unlike-minded types to congregate and 'talk shop' for hours about...music.

While INDISTR may be an entirely web-based music business (we do have a pretty cool office actually) we 100% support record shops and whatever else may end up filling the gap that is continuing to grow as digital replaces the physical. So go buy some vinyl, or any format, at your local spot and spend some time enjoying the culture of music away from your computer!

Just some morning thoughts...

Check out this article as well.

Thursday, November 29, 2007

Jackson 5 Tour In 2008!!!!

Wow, count me in. I wouldn't miss this! Maybe they'll put out a new album independent?Ha. Wonder if they know about INDISTR? If not, they should!




Read more here!

Monday, November 26, 2007

INDISTR 10! Interview with Ryan Horne!

This week I'd like to fill you in on a singer/songwriter hailing from Atlanta, GA. Ryan Horne, has just put out his 4th album. This has got to be one of the most motivated artist I've yet to encounter, don't believe me? Just go check his tour page. I've never seen this page with less than 20 scheduled shows at one time. Ryan continues to grow his music career and is by no means, slowing down. Enjoy!



1.Let’s start from the beginning, when and where did it all start? And with who?
Well, I picked up my first guitar when I was 16 so I guess it started there. That soon became a serious addiction for me, writing and playing. Always have loved to sing, so I put them together and it just began to work for me. All I have ever done is play music, so that makes it hard to say where it started because it has always been in me and it keeps growing over the years as I write better and play for more and more people. The fan base just keeps getting greater as the years and records come and go and the music industry slowly starts to become involved with what you are doing. You slowly tag on booking agencies, managers, whatever is needed to make a successful and long career.

2.If you had to describe your sound in one sentence, what would you say?
I like to call it folk/americana at its finest, but who am I to say what I sound like, I hear one thing and everyone else will hear another.

3.Name 3 artists that have inspired you as a musician.
Wow, that is so hard because there are so many great artists out there, but if I have to choose just 3, my picks go to Ryan Adams, Wilco, and Martin Sexton.

4.What do you see in the future for music, with all of the outlets available for exposure, along with the current Internet craze?
That is a tough question as well. The Internet has been a great thing for music but at the same time it has been a horrible thing for music in my opinion. The industry is now saturated with musicians, some good, some bad, and in a way it has become a somewhat of a joke. I do believe, however, that the true talent out there will succeed in the end with great careers, so it is a love/hate relationship as far as my take on the current Internet craze. As far as my career and its future, I hope and believe it will last quite a while. I have been surrounded by some very talented musicians and people and I continue to push myself to write better and better. I hope that I can keep making records that I believe in and as long as I keep putting out these type of records, I believe I can continue to write music that touches a life.

5.What can we expect to see from Ryan Horne in the next year? Any big plans?
Most can find me out on the road, playing shows all year long. I tend to travel quite a bit, maybe sometimes too much, but I truly love it. I just signed on with a new booking agency and that will only magnify the amount of traveling I will do to support my latest record ‘Love & War’ that I released in February. Also, I will surely be doing another record in the next year or so because I have been writing a lot lately and I am very happy with what is coming out.


6.What have you been listening to lately?
Lately, I have been listening to Patty Griffin, Wilco, Whiskeytown, Ryan Adams, Josh Ritter, Fionn Regan and Ben Lee. Most of these guys are kind of underground but they are amazing songwriters in my opinion and I can’t get enough of them.

7.Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
I definitely believe you can be successful being an Independent artist. I actually believe that is where the music industry is headed and it may already be close to that point. With all the simple, easy means of distribution, promotion, booking, and recording, it seems anyone these days can put out a record, promote it and find success. Again, I jump back to my thoughts that only the true talent will be successful, but the means for someone to do this is readily available.

8.If we can’t find you playing a gig or practicing music, where might we expect to find you?
Driving on some random highway. Seriously, if I sit in one place too long, I will run to my car and travel somewhere. I hate staying in one place, so when I have a little break from music traveling, I will do my own traveling for vacation purposes and what not.

9.How many shows do you play a year? What’s the atmosphere typically like?
That is so hard to say, but I probably play close to 120 shows a year. I would play every single day if I could, but that may kill me. As far as a typical atmosphere, my music is very songwriter friendly, so I tend to play very intimate venues where people come and listen to music in a relaxing environment.

10.Lastly, your thoughts on INDISTR.COM?
I think this is a great concept to have especially being an independent musician. The more sites like this the better chance to succeed in such a talented music industry.

Friday, November 16, 2007

A thank you to our community...

I hope everyone is already getting their weekend under way. I'm just about to start mine. But before I do - I wanted to say a quick 'thank you' to the both the artists and the supporters that use INDISTR. We've had our best sales week ever this week - and its a good feeling. While we aren't quite 'rolling in the money' yet, we are certainly pointed in the right direction. One of my favorite things about reporting a good sales week like we've had is knowing that when INDISTR does well the artists using INDISTR do even better. And they do so on their own terms, entirely independent. You've got to love that.

So again, thanks to the artists that use our service and the supporters who buy their music. You're all part of movement that is changing how creative content is consumed and controlled.

- Benjamin

Thursday, November 15, 2007

INDISTR 10! INterview with Mike Borgia!

I introduce to you our INDISTR 10! for the week, Mike Borgia. Mike is currently living in New York, touring nearly non-stop throughout the year and having heavy contributions to the indpendent music scene. Enjoy the interview. Mike has a lot of impact on Independent music and we're happy to have him apart of the INDISTR family! Also, be on the lookout for Mike's East Coast Tour coming up this Winter as well as his partnering with www.thumbplay.com to help launch ringtones for independent artists!!!


1. Let’s start from the beginning, when and where did it all start?
Age 12 New York, I started playing guitar mainly self taught. It took me a few months to get good enough to play in bands. My stepping stone was a progessive metal band, I played lead guitar and shortly after I discovered my voice when my mother caught me singing in my room to a Louie Prima record. (my parents collection). I was curious! and embarrassed at the same time. Once I got enough approval of my singing abilities, I started a post hardcore band called Samsara that became fairly successful for a short while. We then broke up, regrouped and started a powerpop band called TREAD and wrote some amazing songs, had labels, radio everyone loooking at us, then we broke up. After all the shortcomings, I got smart and stopped relying on other people and became a self sustaining solo artist. I put out 6 albums since 2003 and a 7th is on the horizon. I’ve been touring all over the UK and the US and it’s greatly rewarding.

2. If you had to describe Mike Borgia’s sound in one sentence, what would you say?
Ambiguous, deeply heartfelt, brurtally honest uncatagorical rock?

3. Name 3 artists that have inspired you as an artist.
Chris Whitley, Ted Leo , Slayer (no kidding)

4. What do you see in the future for music, with all of the outlets available for exposure, along with the current Internet craze?
The Future looks promising, being that artists can more easily put themselves out there. Digital downloads are the new craze; highly convenient to add to your collection without sacrificing room in your house and easy to share with friends. The biggest problem I see currently is, it allows for too many bands to form which degredates quality and diminishes those with true talent and artistic vision. The accessability the web offers causes dillusion, giving those without talent the wrong impression and in turn makes gaining new fans even harder sometimes. To direct?

5. What can we expect to see from Mike Borgia in the next year? Any big plans?
expect to see plenty. I am releasing my 7th album on DEC 15th entitled “Philistines & Alcoholics” a few tracks are available for sale right here at indistr.com, exclusively. 10 day US tour for Cancer starting FEB 6th Followed by another UK tour in April and random dates in between. For the time being I’m working on songs for a songwriting contest I started, where fans submit their lyrics to my forum on www.trig.com/group/yoursong. If I like what they write, I create a song around the lyrics and give them Co-songwriting credit and their own download store at indistr.com. Here is an example www.indistr.com/zachiroth. It is my way of showing fans appreciation and considering them more than just a buyer.



6. What have you been listening to lately?
These Eyes Are Cameras from Manchester UK. Jonah Matranga, Bowerbirds

7. Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
To be independent is highly empowering, at least for me because you are in full control. No deadlines, no creative differences between you and the label and the money stays with you. It is definitely possible to be successful and I know because I’m doing it. This business has its ups and downs and success is measured differently by each idividual or group. No matter what the goal, if you set it and reach it, that is success. It’s not always about how much money you earn, its what you are able to do as an artist to be happy. To be yourself I think is the first step. Lead not follow, because being derivative of what’s popular never lasts.

8. If we can’t find you playing a gig or practicing music, where might we expect to find you?
I am virtually everywhere on the web. If someone can’t find me its because they forgot to turn on their computer first. www.indistr.com/mikeborgia obviously!

9. How many shows do you play a year? What’s the atmosphere typically like?
100+ at least. The atmosphere depends on the city, venue and day of the week. Generally I find it very welcoming and go home after a gig fullfilled and happy, no matter if there are 5 people or 10,000. A friend once said “you get what you give” and he couldn’t be more right.

10. Lastly, your thoughts on INDISTR.COM?
A vital part of my musical life. If you are an independent artist of any size you have to house your music here. I love it because you have better control over your content and get paid right away. The bonus is to music fans as well because downloads are cheap, and registration is really fast and pain free. No waiting for that e-mail confirmation. It even has html codes for each song that when clicked takes you right to the store front.

Tuesday, November 13, 2007

New Tribal Seeds Album!

Tribal Seeds new album (self titled) is now available for purchase at INDISTR. Keep an eye out for these guys on tour, coming to a town near you shortly.

Thursday, November 8, 2007

The Eagles Album???

WOW!! The Eagles new album "Long Road out of Eden" was originally released on a contract to only be sold at Wal Mart, Sam's Club, as well as their online property stores. The album was set to release at $11.88, however, now retailers from indie record stores to Virgin Mega stores are purchasing the album from Wal Mart and re-selling it in their stores for anywhere from $19 to $23. Apparently Soundscan is trying to control the issue by "weeding out" duplicate sales, which may have led to why the album sold a shockingly 711K albums the first week.

I'm so glad to represent a digital distribution site with no crazy rules or regulations.

Any thoughts?

Wednesday, November 7, 2007

Music pricing on INDISTR, just some thoughts...

What to price something you've created with heart and soul...always a hard decision. We don't make our sales stats public (for good reason) so its always a bit difficult for the public to know what's selling well and what isn't. But I'd like to shed a little bit of light on the subject.

I think both as consumers and artists, we are used to the $12-$15 album. Prices have been around those numbers for quite some time - but those prices are based on the old model of physical distribution with, as some of you know, quite a few hungry mouths to feed before the album actually lands in the consumers hands. The new model, one exhibited here at INDISTR, is one where the artist is of course selling directly to the public. No shipping, no printing, no jewel cases, no physical copy, no physical store, no label (!), etc. It's much more simple now. 75% to the artist, and 25% to INDISTR.

So taking all that into account, should album pricing really follow the old model? Absolutely not. Again, we don't release sales stats, but some of our best selling albums from great artists have been priced in the $5-$8 range. The artist STILL makes more than they would with the 'old' model involving labels and physical distribution...and the consumer gets a great deal on fantastic music.

Something to consider when pricing your music...and buying it as well.

Wednesday, October 31, 2007

INDISTR 10! Interview with Mic Terror

I've got to be honest, over the past 2 years, CHICAGO has been pumping nothing but greatness out of the hip-hop/hipster-hop/backpack-rap/insert-your-own-zinger-here-scene. Between Qualo, Mic Terror, Shala, Million $ Mano, Holywood Holt, Cool Kids, Flosstradamus, Kid Sister, and a slew of others, it's been nothing but pure, new, refreshing, music. I'm always the first to admit I like something refreshing in the scene. I'll go from Reggae to Weirdo, it doesn't matter. As long as your bringing something new to the scene that makes me want more, it's obviously working in whatever scene it is for Chicago. I bring you Mic Terror, be on the lookout, this guy has some moves up his sleeve, including URB's top 1000 contest! GO VOTE @ www.urb.com, then come back, read this interview, watch the video, and buy his album!!!!!





1. Let’s start from the beginning, when and where did it all start? And with who?
My pops always listened to rap around me from the day I was born. I really took a liking to N.W.A, 2 LIVE CREW, and WHODINI. And then in 1992 Kriss Kross came out with “JUMP”. I started writing raps at age 7. I saw kids emceeing like my Idols at the time, and figured I could be an emcee too.

2. If you had to describe your sound in one sentence, what would you say?
My sound is organized retardation! (LOL)

3. How often does Mic Terror work on music?
I write everyday and record every week.

4. What do you see in the future for music, with all of the outlets available for exposure?
I believe anybody can get famous now… due to all of the outlets for exposure, but it still takes talent to have longevity… but 15 minutes of fame are available to the public now! I see a lot more one hit wonders for the future…. and Mic Terror being one of the few sources for good hip hop!

5. Who are some underrated artists/bands that you think deserve more attention?
Dead Prez, Mic Terror (of course), The Cool Kids, Lupe Fiasco, and that’s about it, MUFUC$*%S is wack right now…LOL



6. What has Mic Terror been listening to lately?
Kanye, Fifty, Mic Terror, N.W.A, Dr.Dre, Twista, Queen, Metallica, R.Kelly, James Brown, Prince, Rick James, Oran “JUICE” Jones, I listen to all types of music but mostly hip hop.

7. Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
It’s all about your hustle! I think the whole industry is going to be independent in the next few years… once artists realize the labels don’t know what they’re doing anymore.


8. If you were to go tell your fans what album to go buy, what would you tell them and why?
I would tell them to buy Kanye, Common, Lupe, and look out for Mic Terror because Chicago takin over!!!! HIIIIOOOOOOOO!!!!!

9. How many shows do you play a year? What’s the atmosphere typically like?
Somewhere between 30 and 40 shows per year. My shows attract groups of people that would never meet otherwise. (I.E. Gangsters, Hipsters, Backpackers, Punks, etc.)

10. Lastly, your thoughts on INDISTR.COM?
I love INDISTR for helping spread the Mic Terror gospel.

Thursday, October 25, 2007

INDISTR 10! Interview with The Paper Champions!

Where to begin. The Neubert brothers have been progressing their music throughout various bands in Atlanta for over the last decade. It seems they've found their sweet spot, The Paper Champions. These guys have been playing music as a 4 piece for over 5 years. I really enjoy listening to TPC grow as a band from the first (and only) time I've gotten to see them in November of 2003. Peep the new video that they just finished filming.....you won't be let down. Shout outs to Moe of Reason Y Records for helping great artists. (The Midwest is getting really cold, makes me wish I was still living in Atlanta at times).







1. Let’s start from the beginning, when and where did it all start? And with who?
It began in Atlanta GA in 2001, in the summer, when myself (Jason Neubert) and my brother decided to record a few songs I had written on acoustic guitar. During this process, a friend of mind, Chris Cudzilo, mentioned that another friend of mine from the Atlanta music scene – Jason Morrow – may be interested in playing bass on the recordings. He came to a few sessions and then laid some bass lines that worked perfectly. From those recordings, we decided to form an active live band and enlisted Chris to play 2nd guitar. A few of those first sessions at Blue Cloud Studios are in the process of being digitally released on Reason Y Records on an LP entitled “Sounds from the Cutting Room Floor” which should be available this winter.

2. If you had to describe The Paper Champion’s sound in one sentence, what would you say?
Thinking indie rock with poetic lyrics, dynamic music ranging from Jimmy Eat World-y clean guitars to raucous Foo Fighterish growl. Dual vocals a la Hot Water meets Armor for Sleep. Jason Morrow is the Hot Water and I am the Armor for Sleep.

3. Name 3 artists that have inspired you as a band.
Minus the Bear, Hey Mercedes, Lovedrug, Sparta – oops that’s three

4. What do you see in the future for music, with all of the outlets available for exposure, along with the current Internet craze?
I see a lot of bands releasing digital-only releases in order to clear the overhead costs of releasing hard copies. I also see smaller, more independent and Internet-driven record labels taken up the slack of the depressing major labels who are losing millions of dollars a year on albums that are being downloaded for free online. It’s a difficult scenario for bands who want to make a living making music. It’s the listener/downloader’s choice as to whether a band lives or dies. Make the right one!

5. What can we expect to see from TPC in the next year? Any big plans?
We have just finished the shooting of our video for “A Long July” from our End.Transmission EP, which was shot in HD and produced through West 41st Productions in Savannah, GA. It looks amazing, and we will be sending it to all major sources for release. We had an amazing premiere show in Savannah, GA at Hang Fire. You can check it out on YouTube. Like I previously mentioned, we will be digitally releasing Sounds from the Cutting Room Floor, our retrospective LP in the coming month or so, and also a new LP in the next 6 to 9 months. Check the video for A Long July:


6. What has TPC been listening to lately?
Lately, I’ve been listening to the new Minus the Bear, Lovedrug’s new record, a local band in Atlanta called The Focus that Chris is recording in his home studio, and other somewhat obscure stuff like The Thermals and Tokyo Police Club.

7. Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
Not sure. It depends on if people decide to keep their favorite bands alive.

8. If we can’t find you playing a gig or practicing music, where might we expect to find you?
www.thepaperchampions.com, www.reasonyrecords.com, www.myspace.com/thepaperchampions
If we aren’t online, Morrow is at The Local downtown, Brad is studying or hanging with his girlfriend, Chris is hanging at home tinkering with some kind of guitar project or recording in his home studio, and I am working or hanging with my two little boys and wifey.

9. How many shows do you play a year? What’s the atmosphere typically like?
We play about 2-3 shows a month, on average, so about 25-50 shows a year in Atlanta, Savannah, or Columbia, SC and the surrounding areas. The atmosphere is magical. ☺

10. Lastly, your thoughts on INDISTR.COM?
I think indistr.com is a solid means to expose new bands in a channel that isn’t oversaturated with non-genre-specific bands. The cross-referencing technology is a great new way to expose listeners to other potential bands of favor. I think it has a solid future, and hope that it thrives! Thank you!

Monday, October 22, 2007

INDISTR 10! Interview with Corey Crowder!

Hailing from Greenville, South Carolina, INDISTR 10! brings you Corey Crowder. Always on the road, always playing a gig, always growing his fan base, keep an eye out for Corey, as he's sweeping the singer/songwriter/acoustic sounds by storm. Thanks to Steve for making this happen!!





1. Let’s start from the beginning, when and where did it all start? And with who?
I started playing guitar about 14 years ago but I didn't take music very seriously until 2001 when I was in college playing at open mic nights. I got a good reaction from a lot of the original stuff I was playing so it pushed me to pursue making music.

2. If you had to describe Corey Crowder’s sound in one sentence, what would you say?
This was said of my music and I liked the way they put it...
Crowder's music manages to capture elements of the 60's and 70's while still maintaining relevance in the modern music world.

3. Name 3 artists that have inspired you as an artist.
Bob Dylan, Johnny Cash, Ryan Adams

4. What do you see in the future for music, with all of the outlets available for exposure, along with the current Internet craze?
I don't know what the future holds but right now is a prime time for independent musicians to make their mark and take advantage of the internet. It is FREE! And you can instantly reach people across the world. Who would have ever thought?

5. What can we expect to see from Corey Crowder in the next year? Any big plans?
I am recording a new album beginning later this month and it will be out in Spring 08'. It is the first new material I have had out in 2 years so you can expect a little change in my sound.

6. What has Corey Crowder been listening to lately?
Bob Dylan, Creedence Clearwater Revival, The Rolling Stones, Ryan Adams

7. Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
I think that as I said before, right now is the time for an independent musician to capitalize on all the crazy outlets there are that are free.

8. If we can’t find you playing a gig or practicing music, where might we expect to find you?
I love the outdoors. So you may find me hiking or fishing or even just hanging outside with my dog.

9. How many shows do you play a year? What’s the atmosphere typically like?
I try to be gone about 6 months out of the year. That keeps me home with my wife the other part of the year. Shows are typically laid back and the audience varies quite a bit in age. Most nights it is an older crowd but there is always a good variety.

10. Lastly, your thoughts on INDISTR.COM?
INDISTR.COM is doing great things for independent musicians. I think it is a great oulet for musicians to make their music available.

Wednesday, October 17, 2007

INDISTR 10! Interview with Soulfound!

From being featured on Fuel TV to being featured on MTV's Laguna Beach, Soulfound is sure to be making moves in the Florida Indie rock scene. Short a guitarist, they still keep it going with live shows in the greater Florida area. Be on the lookout, these guys have some serious talent, and this is what the lead singer Ivan had to say for the INDISTR 10! Thanks Ivan!






1. Let’s start from the beginning, when and where did it all start? And with who?
Ivan and Disqo formed the band in Gainesville, Florida in 1999. We moved to the Tampa Bay area in 2002 where we met Sam.

2. If you had to describe Soulfound’s sound in one sentence, what would you say?
Unpretentious, somewhat intelligent, high energy alternative rock

3. Name 3 artists that have inspired you as a band.
Pearl Jam, At the Drive-in, The Police

4. What do you see in the future for music, with all of the outlets available for exposure, along with the current Internet craze?
Its going to get harder and harder for indie bands to break through the clutter, if they don’t figure out what makes them unique and exploit the crap out of it. The Labels are figuring out how to clog up the Internet and take back a bit of the control that we as indie musicians have enjoyed for so long. On the other hand, it has never been easier for the World to learn about a kick ass band. I think that the Internet’s potential will be limited by people’s willingness to explore new music sites like Indistr.com and something ELSE will come along soon enough to re-revolutionize the way people listen for and discover new music.

5. What can we expect to see from Soulfound in the next year? Any big plans?
Hopefully a new full length, US tour and a DVD.

6. What has Soulfound been listening to lately?
Radiohead “In Rainbows”, Minus the Bear “Planet of Ice”, Pearl Jam “Live at the Gorge”, Queens of the Stone Age “Era Vulgaris”, Jimmy Eat World “Chasing Lights”

7. Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
Indie music just means we don’t have big bucks to promote it. It is possible to be successful if you find a way to sustain a fanbase and have a promotions plan. We haven’t fully figured it out yet, but it has been successful so far. We have had CD sales in Japan and China over the last year, and we have had more downloads from digital stores than ever. Now the problem is that we don’t have the cash to go tour on a broad enough scale to sustain these sales.

8. If we can’t find you playing a gig or practicing music, where might we expect to find you?
Checking out other local bands around Tampa Bay, getting wasted or working…

9. How many shows do you play a year? What’s the atmosphere typically like?
Per year we do between 80-100. Usually people are rocking out, getting wasted and having a good time.

10. Lastly, your thoughts on INDISTR.COM?
So far, the site has been really easy to navigate through and our contact with staff has been pleasant and fast. Indistr.com is going to help us make a little more cash from our download sales and that is always a good thing. We wish you guys the best of luck getting the site off the ground and we will do what we can on our end to help you make it happen. Also, the fact that you are doing interviews and you give a shit about your artists speaks volumes about the high caliber of people you have running the site. We wish you many good things in the coming years and we look forward to a long and happy relationship.

Tuesday, October 16, 2007

Congratulations to Radiohead, seriously.

Hats off to the crew that is Radiohead. Congratulations on great music, congratulations on longevity, congratulations on not getting wrapped up in fame...and most of all congratulations on independently making a reported $9.6 MILLION in 3 weeks on your latest album 'In Rainbows'.

This is really inspiring stuff to us here at INDISTR. Being successful as an independent is entirely possible, and groups like Radiohead are really paving the way to help new artist (and old) think differently about their craft. It really has nothing to do with getting rich. Instead, it has everything to do with making a living doing what you love. And us, acting as fans, helping in the process by choosing to support artists directly.

Link to the reported Radiohead write-up.

Monday, October 15, 2007

UPDATES!!

Hello all independent supporters!!!

Thanks to all of you that made our relaunch a pleasent one on Tuesday, I just wanted to give some insight as to what's happing this week. First off, we are tallying all of the pros/cons/request/etc. from all of you to make the correct changes to the new site. Secondly, we've got some new interviews that will be going up this week that cover a diverse range of music, so check back soon and I'll fill you in on any other updates as needed.

Friday, October 12, 2007

INDISTR 10! Interview with Tribal Seeds!

If you haven't heard, hear it from INDISTR first! Tribal Seeds is a band of amazing reggae/roots talent that reside from San Diego, CA. They are sure to continue going full steam with their new album to drop this winter! We are pleased to announce the first of many INDISTR 10! interviews. Big props to Rams and the rest of the Tribal Seeds crew for making this happen. Be sure to stop by their INDISTR page for there original recording, Youth Rebellion!!






1. Let’s start from the beginning, when and where did it all start? And with who?
It started in San Diego, CA in the summer of 03 with my self (Tony Ray) and my brother Steve.

2. If you had to describe Tribal Seeds sound in one sentence, what would you say?
A new style of Reggae.

3. Name 3 artists that have inspired you as a band.
Steel Pulse, Midnite, and Bob Marley

4. What do you see in the future for music, with all of the outlets available for exposure, along with the current Internet craze?
I see more and more bands staying independent. With all the outlets there is no limit to what a band can accomplish by them selves.

5. What can we expect to see from Tribal Seeds in the next year? Any big plans?
We plan to be doing a lot of touring. We haven’t toured the states yet but after we release our upcoming album in the winter of `07, we’ll be spending plenty of time on the road.

6. What has TS been listening to lately?
We listen to everything. Just to name a few Manu Chao, Midnite, Steel pulse, Marley, Twinkle Brothers, System of a Down, Dead Prez, The roots, everything!

7. Your thoughts on independent music and if it’s possible to be successful through these means of distribution?
I think independent music is a breath of fresh air. It’s music created and produced by the artist without a corporation messing with it. It’s very possible to be successful. More and more people are searching for new music. The Indie scene is getting bigger and bigger.

8. If we can’t find you playing a gig or practicing music, where might we expect to find you?
We’ll be at shows checking out other bands. All over San Diego, hanging out with friends. At the beach!

9. How many shows do you play a year? What’s the atmosphere typically like?
This past year we haven’t played too many shows but that’ll change as soon as the album drops. The atmosphere is very energetic. We love feeling the crowd’s energy and giving it right back. We play good vibe music and people always tell us they can feel it.

10. Lastly, your thoughts on INDISTR.COM?
Great site! I like how you encourage bands to stay independent and why they should. You’ve also made it really easy to buy and sell music. Another great outlet, for artist to promote their work!

Buy Tribal Seeds Music Now!

Thursday, October 11, 2007

INTRODUCTION!

First things first, I'd like to introduce myself, my name is Kevin Hockin and I'll be working with the INDISTR team to get things rolling here for the marketing/blogging/operations and the activeness of the site. I would first like to thank Ben for the opportunity to be apart of this amazing project. This blog will be updated often, sometimes multiple times in a day, sometimes once every two days.

Expect to see artist interviews, featured artist, industry trends, industry news, and a slew of other topics. Once again, I'm overly excited to be apart of this and I can't explain how amazing of a concept INDISTR.com is. So get involved, tell your friends, and have a great time in the making!!

Kevin Hockin

P.S. If anyone has any questions please feel free to contact me: Kevin@indistr.com

Wednesday, October 10, 2007

Madonna now too?! Wow.

And the plot thickens ladies and gentleman! Radiohead with a direct to the public model, Nine Inch Nails with a similar but unannounced direction in the works, and now...the biggest and the baddest: Madonna. She has just signed a too-many-millions-deal with a company named Live Nation to distribute, market, handle tours, and even license her name for merchandise. All with no 'labels' involved. It's happening very, very quickly. A snowball effect if you will! Three cheers to putting the artist in control and labels in the history books. Who knows what's next? We are working hard to help artist who choose this direction, making sure they are placed first. Check the article at the link below.

TechCrunch Article

Tuesday, October 9, 2007

"You can fire your manager...but you can't fire your label." Why having a manager is more important than a label.

I use that phrase often... "You can fire your manager...but you can't fire your label." I love that. I was watching Entourage not too long ago, a DVD of it actually, watching power-agent Ari Gold getting fired...and it dawned on me. Actors can fire their agents, managers, etc. But music artist can't fire their label. Now, of course there are a million arguments someone could raise against my thoughts on this, but I think it's an interesting comparison. The cost of creating music is getting cheaper, and artists are only getting more creative...what a great thing. Record labels on the other hand, are not innovating. They are instead hammering their artists (their clients!!!) for even more control and money. Profits from touring, merchandising, product endorsements, and more are now being contractually signed over to the label...leaving the artist with less and less.

What's funny, is watching labels turn more into management companies as distribution becomes electronic. So why not skip the label, and settle on a good management company? You can leave them whenever you want, negotiate the terms as you see fit, and they only get paid when you do. So simple, but it's 'dangerous talk' in this music industry game!! And while you're at it...have your manager handle getting your music on INDISTR as well...I can plug my site on my blog right?!

Radiohead, Nine Inch Nails, and various other smart creative types co-sign the independent movement in a very, very serious way.

We love this kind of stuff over here at INDISTR. For obvious reasons. First to announce the move was Radiohead with their 'pay whatever you feel like for our downloads' model paired with their physical box-set for purchase option...both options being handled directly by the artist. Absolutely no 'labels' involved. Now we've got Mr. Trent Reznor himself blogging about being, after 18 years (whoa!), an independent artist again...and how he'll be making the same move. I love this stuff. These artist are paving the way for others to do the same...and INDISTR is here to help. Check these links for more info:

Nine Inch Nails info via our friends @ TechCrunch ...clever title Duncan!

Radiohead write-up from the juggernaut that is BoingBoing

Welcome to the new INDISTR!



Ahh...it's good to have the new site up and running. It was much needed! I'll try and keep this short...but I love to reminisce. We launched back in January 2007, grew pretty quickly, artist started selling music and getting paid instantly the first launch week...the first day actually, if you want to get specific.... it was a pretty awesome thing to be a part of, but we we're a bit understaffed and didn't have the best growth plan in place...and the design could have been better! Fortunately this time around we've got a great head of marketing and operations, Kevin Hockin, a great design partner with Thought + Theory, and a clear vision and path for growth. We've still got a couple tweaks to do here and there, so if you have any thoughts don't hesitate to let us know!

Thanks to all those who have helped market, grow, develop, and support the site. And, of course, a huge thank you to the artist who choose or have choosen INDISTR for distribution of their music. We value the trust you place in us!!

Enjoy the site, search around a bit, throw some tags on a few artist, and buy it if you love it!

See you around!